英语翻译，帮忙，急急急
3.日本设计师崛起带来和留下的
日本自“中东石油危机”打击之后，吸取教训并调整了富国政策，服装成为了外贸的支柱之一，而此时法国的高级时装产业，面临欧美市场的饱和，行业势头锐减，此时随着日本经济的发展，吸引了高级时装产业的目光，西方一方面开始注意新奇的日本文化，将高级时装之风送向东方，另一方面通过寻求与发展日本本土设计师的合作作为打开日本市场的跳板，这个东方民族的时装风格受到西方的青睐。工商业的基础实力雄厚，社会稳定，经济繁荣，时装技术教育的制度完善而扎实，情报信息资料灵通，善于学习模仿，注重品质都是日本时装业崛起的因素。
第二章 “中国概念”之崛起
第一节 21世纪的“中国概念”
1． 何为“中国概念”
在时装设计中，想要运用设计语言对中国概念文化符号进行二次诠释，设计师首先要通晓什么是中国概念文化符号，它们又是从何而来。从狭义的角度来看这些符号可以是汉唐服装，从历史中看，可以是民俗中取，从广义的角度来看它们可以是文学底蕴的积淀或是思想神髓的外化，可以自佛道学说中来。
2.中国传统元素与时装设计
在中国历史长河中积累着难以胜数的中国元素与符号，这些传统元素几乎是在等待设计师的再创造。单单从传统服饰中，我们就可以获得各种时期的廓型、配色、材质、图案以及传统工艺。跳脱服装这个环境之外，更是有数不清的传统文明产物，这些都可以激发设计师的设计灵感。比如香港设计师张天爱，便在她的设计中启用古典鲜艳的晚清龙案苏绣，这种元素与前卫极端的西方妆扮相融合，另类的诉说着现代生活对传统东方情调的怀念。
3．当代生活亦“国”味十足
任何一个民族如果只是不断地挖掘传承，那么无论是多么深厚的文化艺术底蕴都是无法持之长久的，传承固然珍贵，但是当代的传承与发展更是尤为重要，它是一个民族的文明生命力能否继承与发展的关键。
当代的中国文化为什么不能是中国概念的一部分呢？并不是只有百年前的诗词歌赋才能代言中国，现代中国人同样在创造中国文化，当前的文化、艺术、设计领域乃至街头或城市次文化都在体现当前中国的独特风土与国家情绪。尽管在现代生活受到西方模式的极大影响，但是中国人并没有抛弃舒服、含蓄、端庄、自在的民族性格和审美价值取向。一些华人设计师的作品或多或少能够看到中国式的风骨。
第二节 如何立足传承追寻时尚
1.纯粹的中国风格设计体现——意境与精髓
纯粹的中国风格，从面料、款式、装饰方法到设计风格都是地道的中国风。但是这样的设计方法并不代表完全的照搬照抄与生硬拼凑。如前几年出现的如旋风过境般没有拥有持久生命力的“唐装”热就是一种简单复古与噱头。
3 Japanese designer rise and leave
Japan since the Middle East oil crisis ", "lessons and adjust the policy has become rich, clothing trade, and one of the pillars of the French fashion industry, face top European market and industry momentum, saturated with the development of Japanese economy time, attracting high fashion industry, on the western Japanese culture began novelty, will be sent to the east wind of high fashion, on the other hand through the development and seek cooperation of designers in Japan as the Japanese market opened, the Oriental nation springboard favored by western style fashion. The foundation and strong, social stability and economic prosperity in the education system, fashion technology, perfect and solid information material, good imitation, pay attention to the quality of Japanese fashion.
Chapter 2 "concept" the rise of China
The first section of the concept of "China in the 21st century."
"China is 1."
In fashion design, want to use design concept of Chinese language cultural symbols, stylist second interpretation to what is China's first understanding cultural symbols, their concept is come from. From a special Angle of these symbols can be tang clothing, from history, can be in the folk unfolding, from the generalized point of view they can be thought of literature or the externalization ShenSui accumulation, can come from the concept of Buddha.
2 traditional Chinese elements and fashion design
In the long history of China is an accumulation of Chinese numbered with symbols, the traditional elements is almost waiting for designers to create. Only from the traditional clothes, we can obtain the outline of period, color, material, design and the traditional craft. Jump, but the dress of traditional civilization, all of these can stimulate product designers design inspiration. Such as Hong Kong ZhangTianAi stylist, in her design of classical bright qing dynasty opened in suzhou, the dragon of extreme elements and avant-garde western makeup, the alternative is fit for modern life recounting tradition of Oriental emotional appeal.
3 the contemporary life "nation" flavour is dye-in-the-wood
If any nation is constantly excavate inheritance, so whether how deep cultural art heritage is unable to hold the long, inheritance is valuable, but the inheritance and development of contemporary is particularly important, it is a nation's civilization life can be inherited and developed the key.
The contemporary Chinese culture, why not part of the concept of China? And not only 100 years ago in China to endorse verses in modern Chinese, Chinese culture, also create the culture, art and design field and street culture in city times or the current China customs reflects unique with national sentiment. Although in modern life greatly influenced by the western mode, but Chinese did not abandon comfortable, implicative, dignified, ease of national character and aesthetic value. Some Chinese designer's work is more or less to see Chinese character.
The second quarter on how to pursue fashion inheritance
1. Pure Chinese style design, artistic conception and essence
Pure Chinese style, fabrics, design, from decorate a method to design style is pure Chinese wind. But that doesn't mean the design method of completely copied with curt together. As a few years ago as a whirlwind appear as no have lasting vitality transit "chinese-style" hot is a kind of simple restoring and stunt.
Japan since the Middle East oil crisis ", "lessons and adjust the policy has become rich, clothing trade, and one of the pillars of the French fashion industry, face top European market and industry momentum, saturated with the development of Japanese economy time, attracting high fashion industry, on the western Japanese culture began novelty, will be sent to the east wind of high fashion, on the other hand through the development and seek cooperation of designers in Japan as the Japanese market opened, the Oriental nation springboard favored by western style fashion. The foundation and strong, social stability and economic prosperity in the education system, fashion technology, perfect and solid information material, good imitation, pay attention to the quality of Japanese fashion.
Chapter 2 "concept" the rise of China
The first section of the concept of "China in the 21st century."
"China is 1."
In fashion design, want to use design concept of Chinese language cultural symbols, stylist second interpretation to what is China's first understanding cultural symbols, their concept is come from. From a special Angle of these symbols can be tang clothing, from history, can be in the folk unfolding, from the generalized point of view they can be thought of literature or the externalization ShenSui accumulation, can come from the concept of Buddha.
2 traditional Chinese elements and fashion design
In the long history of China is an accumulation of Chinese numbered with symbols, the traditional elements is almost waiting for designers to create. Only from the traditional clothes, we can obtain the outline of period, color, material, design and the traditional craft. Jump, but the dress of traditional civilization, all of these can stimulate product designers design inspiration. Such as Hong Kong ZhangTianAi stylist, in her design of classical bright qing dynasty opened in suzhou, the dragon of extreme elements and avant-garde western makeup, the alternative is fit for modern life recounting tradition of Oriental emotional appeal.
3 the contemporary life "nation" flavour is dye-in-the-wood
If any nation is constantly excavate inheritance, so whether how deep cultural art heritage is unable to hold the long, inheritance is valuable, but the inheritance and development of contemporary is particularly important, it is a nation's civilization life can be inherited and developed the key.
The contemporary Chinese culture, why not part of the concept of China? And not only 100 years ago in China to endorse verses in modern Chinese, Chinese culture, also create the culture, art and design field and street culture in city times or the current China customs reflects unique with national sentiment. Although in modern life greatly influenced by the western mode, but Chinese did not abandon comfortable, implicative, dignified, ease of national character and aesthetic value. Some Chinese designer's work is more or less to see Chinese character.
The second quarter on how to pursue fashion inheritance
1. Pure Chinese style design, artistic conception and essence
Pure Chinese style, fabrics, design, from decorate a method to design style is pure Chinese wind. But that doesn't mean the design method of completely copied with curt together. As a few years ago as a whirlwind appear as no have lasting vitality transit "chinese-style" hot is a kind of simple restoring and stunt.
温馨提示：内容为网友见解，仅供参考
第1个回答 2009-05-28
3. Brought about by the rise of the Japanese designers and the left
Since Japan's "Middle East oil crisis" in combat, the lessons learned and adjust the policies of rich countries, clothing has become one of the pillars of foreign trade, while France's high-level fashion industry, facing saturated markets in Europe and America, the industry trend of sharp decline, at this time With the development of the Japanese economy, has attracted the attention of senior fashion industry, on the one hand, the West began to pay attention to new Japanese culture, will be sent to the High Fashion of the wind to the east, on the other hand, Japan and development by seeking the cooperation of the local community as a designer to open in Japan a springboard for the market, the Oriental style fashion nation favored by the West. The basis of industrial and commercial strength, social stability, economic prosperity, fashion and technical education systems are well-established and solid, well-informed intelligence information, be good at learning to imitate, pay attention to the quality of both the rise of the Japanese fashion industry factors.
Chapter II, "China concept" of the rise of
21 Section I of the "China Concept"
1. What is the "China Concept"
In the fashion design, you want to use the concept of language and cultural symbols of China to carry out the second interpretation, the designer must first be familiar with what the concept of cultural symbols in China, they actually come from. From the narrow perspective of the Han and Tang Dynasties of these symbols can be clothing, seen from the history, can be obtained from customs, from the broad perspective of literature they can be accumulated inside the flavor or the externalization of thinking can be self-Buddha Road to the doctrine.
2. Chinese traditional elements and Fashion Design
China has accumulated a long history in China it is difficult to count elements and symbols, these traditional elements while waiting for almost a re-creation of the designer. Only from the traditional costumes, we can get all kinds of time on the profile type, color, texture, pattern as well as traditional crafts. Clothing beyond this environment, there is a product of countless traditional civilization, which can inspire the design inspiration for designers. For example, Zhang Tian-Hong Kong Designers love, in her opening of the classical design of the late Qing-long case of bright embroidery, this element of extreme and avant-garde fusion of Western妆扮, tell a different type of modern life style of traditional Oriental miss.
Add: 3. Contemporary life are also "country" flavor full
If any one of the nation just kept mining heritage, then no matter how deep inside the culture and the arts are not the long-term holders, heritage is precious, but the inheritance and development of contemporary is more important, it is the vitality of a nation's civilization can be whether the inheritance and development.
Contemporary Chinese culture, why can not the Chinese part of the concept of it? Hundred years ago is not the only poetry can speak Chinese, modern Chinese people in the creation of the same Chinese culture, the current culture, art, design and even urban sub-culture of the street or in the manifestation of China's unique local and national sentiment. While the Western model of modern life are great, but the Chinese people did not abandon the comfortable, subtle and dignified, free of national character and aesthetic value. Some Chinese designers can more or less strength of character to see the Chinese-style.
Section II of how to pursue fashion based transmission
1. Pure manifestation of the Chinese style - the essence of artistic conception and
Purely Chinese style, from the fabric, style, approach to the design style of decoration are authentic Chinese-style. However, such a design does not mean that a complete copy together with the stiff. As in previous years, such as the Tornado in transit do not have lasting vitality as the "Tang suit," Heat is back with a simple gimmick.
Since Japan's "Middle East oil crisis" in combat, the lessons learned and adjust the policies of rich countries, clothing has become one of the pillars of foreign trade, while France's high-level fashion industry, facing saturated markets in Europe and America, the industry trend of sharp decline, at this time With the development of the Japanese economy, has attracted the attention of senior fashion industry, on the one hand, the West began to pay attention to new Japanese culture, will be sent to the High Fashion of the wind to the east, on the other hand, Japan and development by seeking the cooperation of the local community as a designer to open in Japan a springboard for the market, the Oriental style fashion nation favored by the West. The basis of industrial and commercial strength, social stability, economic prosperity, fashion and technical education systems are well-established and solid, well-informed intelligence information, be good at learning to imitate, pay attention to the quality of both the rise of the Japanese fashion industry factors.
Chapter II, "China concept" of the rise of
21 Section I of the "China Concept"
1. What is the "China Concept"
In the fashion design, you want to use the concept of language and cultural symbols of China to carry out the second interpretation, the designer must first be familiar with what the concept of cultural symbols in China, they actually come from. From the narrow perspective of the Han and Tang Dynasties of these symbols can be clothing, seen from the history, can be obtained from customs, from the broad perspective of literature they can be accumulated inside the flavor or the externalization of thinking can be self-Buddha Road to the doctrine.
2. Chinese traditional elements and Fashion Design
China has accumulated a long history in China it is difficult to count elements and symbols, these traditional elements while waiting for almost a re-creation of the designer. Only from the traditional costumes, we can get all kinds of time on the profile type, color, texture, pattern as well as traditional crafts. Clothing beyond this environment, there is a product of countless traditional civilization, which can inspire the design inspiration for designers. For example, Zhang Tian-Hong Kong Designers love, in her opening of the classical design of the late Qing-long case of bright embroidery, this element of extreme and avant-garde fusion of Western妆扮, tell a different type of modern life style of traditional Oriental miss.
Add: 3. Contemporary life are also "country" flavor full
If any one of the nation just kept mining heritage, then no matter how deep inside the culture and the arts are not the long-term holders, heritage is precious, but the inheritance and development of contemporary is more important, it is the vitality of a nation's civilization can be whether the inheritance and development.
Contemporary Chinese culture, why can not the Chinese part of the concept of it? Hundred years ago is not the only poetry can speak Chinese, modern Chinese people in the creation of the same Chinese culture, the current culture, art, design and even urban sub-culture of the street or in the manifestation of China's unique local and national sentiment. While the Western model of modern life are great, but the Chinese people did not abandon the comfortable, subtle and dignified, free of national character and aesthetic value. Some Chinese designers can more or less strength of character to see the Chinese-style.
Section II of how to pursue fashion based transmission
1. Pure manifestation of the Chinese style - the essence of artistic conception and
Purely Chinese style, from the fabric, style, approach to the design style of decoration are authentic Chinese-style. However, such a design does not mean that a complete copy together with the stiff. As in previous years, such as the Tornado in transit do not have lasting vitality as the "Tang suit," Heat is back with a simple gimmick.
参考资料：google
第2个回答 2009-05-28
3. Brought about by the rise of the Japanese designers and the left
Since Japan's "Middle East oil crisis" in combat, the lessons learned and adjust the policies of rich countries, clothing has become one of the pillars of foreign trade, while France's high-level fashion industry, facing saturated markets in Europe and America, the industry trend of sharp decline, at this time With the development of the Japanese economy, has attracted the attention of senior fashion industry, on the one hand, the West began to pay attention to new Japanese culture, will be sent to the High Fashion of the wind to the east, on the other hand, Japan and development by seeking the cooperation of the local community as a designer to open in Japan a springboard for the market, the Oriental style fashion nation favored by the West. The basis of industrial and commercial strength, social stability, economic prosperity, fashion and technical education systems are well-established and solid, well-informed intelligence information, be good at learning to imitate, pay attention to the quality of both the rise of the Japanese fashion industry factors.
Chapter II, "China concept" of the rise of
21 Section I of the "China Concept"
1. What is the "China Concept"
In the fashion design, you want to use the concept of language and cultural symbols of China to carry out the second interpretation, the designer must first be familiar with what the concept of cultural symbols in China, they actually come from. From the narrow perspective of the Han and Tang Dynasties of these symbols can be clothing, seen from the history, can be obtained from customs, from the broad perspective of literature they can be accumulated inside the flavor or the externalization of thinking can be self-Buddha Road to the doctrine.
2. Chinese traditional elements and Fashion Design
China has accumulated a long history in China it is difficult to count elements and symbols, these traditional elements while waiting for almost a re-creation of the designer. Only from the traditional costumes, we can get all kinds of time on the profile type, color, texture, pattern as well as traditional crafts. Clothing beyond this environment, there is a product of countless traditional civilization, which can inspire the design inspiration for designers. For example, Zhang Tian-Hong Kong Designers love, in her opening of the classical design of the late Qing-long case of bright embroidery, this element of extreme and avant-garde fusion of Western妆扮, tell a different type of modern life style of traditional Oriental miss.
Add: 3. Contemporary life are also "country" flavor full
If any one of the nation just kept mining heritage, then no matter how deep inside the culture and the arts are not the long-term holders, heritage is precious, but the inheritance and development of contemporary is more important, it is the vitality of a nation's civilization can be whether the inheritance and development.
Contemporary Chinese culture, why can not the Chinese part of the concept of it? Hundred years ago is not the only poetry can speak Chinese, modern Chinese people in the creation of the same Chinese culture, the current culture, art, design and even urban sub-culture of the street or in the manifestation of China's unique local and national sentiment. While the Western model of modern life are great, but the Chinese people did not abandon the comfortable, subtle and dignified, free of national character and aesthetic value. Some Chinese designers can more or less strength of character to see the Chinese-style.
Section II of how to pursue fashion based transmission
1. Pure manifestation of the Chinese style - the essence of artistic conception and
Purely Chinese style, from the fabric, style, approach to the design style of decoration are authentic Chinese-style. However, such a design does not mean that a complete copy together with the stiff. As in previous years, such as the Tornado in transit do not have lasting vitality as the "Tang suit," Heat is back with a simple gimmick.
参考资料：google
Since Japan's "Middle East oil crisis" in combat, the lessons learned and adjust the policies of rich countries, clothing has become one of the pillars of foreign trade, while France's high-level fashion industry, facing saturated markets in Europe and America, the industry trend of sharp decline, at this time With the development of the Japanese economy, has attracted the attention of senior fashion industry, on the one hand, the West began to pay attention to new Japanese culture, will be sent to the High Fashion of the wind to the east, on the other hand, Japan and development by seeking the cooperation of the local community as a designer to open in Japan a springboard for the market, the Oriental style fashion nation favored by the West. The basis of industrial and commercial strength, social stability, economic prosperity, fashion and technical education systems are well-established and solid, well-informed intelligence information, be good at learning to imitate, pay attention to the quality of both the rise of the Japanese fashion industry factors.
Chapter II, "China concept" of the rise of
21 Section I of the "China Concept"
1. What is the "China Concept"
In the fashion design, you want to use the concept of language and cultural symbols of China to carry out the second interpretation, the designer must first be familiar with what the concept of cultural symbols in China, they actually come from. From the narrow perspective of the Han and Tang Dynasties of these symbols can be clothing, seen from the history, can be obtained from customs, from the broad perspective of literature they can be accumulated inside the flavor or the externalization of thinking can be self-Buddha Road to the doctrine.
2. Chinese traditional elements and Fashion Design
China has accumulated a long history in China it is difficult to count elements and symbols, these traditional elements while waiting for almost a re-creation of the designer. Only from the traditional costumes, we can get all kinds of time on the profile type, color, texture, pattern as well as traditional crafts. Clothing beyond this environment, there is a product of countless traditional civilization, which can inspire the design inspiration for designers. For example, Zhang Tian-Hong Kong Designers love, in her opening of the classical design of the late Qing-long case of bright embroidery, this element of extreme and avant-garde fusion of Western妆扮, tell a different type of modern life style of traditional Oriental miss.
Add: 3. Contemporary life are also "country" flavor full
If any one of the nation just kept mining heritage, then no matter how deep inside the culture and the arts are not the long-term holders, heritage is precious, but the inheritance and development of contemporary is more important, it is the vitality of a nation's civilization can be whether the inheritance and development.
Contemporary Chinese culture, why can not the Chinese part of the concept of it? Hundred years ago is not the only poetry can speak Chinese, modern Chinese people in the creation of the same Chinese culture, the current culture, art, design and even urban sub-culture of the street or in the manifestation of China's unique local and national sentiment. While the Western model of modern life are great, but the Chinese people did not abandon the comfortable, subtle and dignified, free of national character and aesthetic value. Some Chinese designers can more or less strength of character to see the Chinese-style.
Section II of how to pursue fashion based transmission
1. Pure manifestation of the Chinese style - the essence of artistic conception and
Purely Chinese style, from the fabric, style, approach to the design style of decoration are authentic Chinese-style. However, such a design does not mean that a complete copy together with the stiff. As in previous years, such as the Tornado in transit do not have lasting vitality as the "Tang suit," Heat is back with a simple gimmick.
参考资料：google
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